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CHOOSING A THEME
The image on the
right is the crest of Sligo County Council which was adopted in
1980. The design on the black shield, which shows an open book on
which there is a Celtic Cross and a red rose, represents
collectively the literary and cultural history of Sligo. These
refer to such early works as the Books of Ballymote and Lecan,
while the rose was a significant theme in the poetry of W. B.
Yeats. The escallop shells sprinkled on the shield refer to the
origin of the word Sligeach -- "a place abounding in shells". The
boar's head refers to the "wild boar of Ben Bulben" in the
Diarmuid and Gráinne myth. The colour scheme of the crest
incorporates the Sligo GAA colours of black and white.
Motto: "Land of
Heart's Desire" comes from the title of a play by W. B. Yeats,
which has a local setting.
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Crest of Sligo County Council |
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DIARMUID AND GRÁINNE IN SLIGO
(Extract from the legend of Diarmuid and Gráinne)
Gráinne, daughter of King Cormac,
elopes with Diarmuid rather than marry the ageing Fionn Mac
Cumhail, and Fionn has murderous thoughts on his mind as he
chases the couple around Ireland. Diarmuid and Gráinne camp in
the Wood of Duross in West Sligo and they are safe for some
time. There is a fearsome creature in the wood, Sharvan the Surly Giant, who
is guarding the magic quicken tree
with its magic red berries. Anyone who ate three of these berries
would have their youth restored. Because Gráinne wanted to stay
young always, she had to have some. Diarmuid asks Sharvan for some
berries but is refused. He has to fight Sharvan, he wins, and
takes over Sharvan's hut. The couple have many happy days and
nights in the Wood of Duross until forced off again by Fionn and
his followers. Finally, they arrive at the fort of Gráinne's father, King Cormac, son
of Art, at Keash, Co. Sligo. They build a home for themselves, Rath-Gráinne, and raise four sons and one daughter. After many
years, Gráinne invites her father and Fionn Mac Cumhaill to a
great feast which lasts a whole year, and there is great
merriment during that time.
At the end of the year, after all have gone to bed one night, Diarmuid hears the baying of a hound and goes to Ben Bulben to
find it. Fionn is there before him, and tells him the hound has
found the scent of the magical Wild Boar of Ben Bulben. Diarmuid
is soon alone facing this charging animal. Diarmuid’s sword is
broken in the charge, and in desperation he flings its hilt into
the head of the wild creature as it passes by. The boar is
killed, and but not before Diarmuid is mortally wounded by a
thrust of the animal’s tusks.
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Carriers for figures of Diarmuid and
Gráinne as they do a celebratory boogie outside Sharvan's hut in
the Wood of Duross,
Sligo
Download video
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Sculpture of Diarmuid and Gráinne by
Cillian Rogers, at Ballisadare, Co. Sligo
(Click image to enlarge) |
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The models above
were built as general carriers for characters and are used for
training in the use of the Cricket software. The two motors in
each model are independently controlled
by Crickets (from
http://handyboard.com) which comes with a
Logo-style interface. Example: a, onfor 10
turns on motor A for ten tenths of a second and ab, onfor 20
turns on both motors for two seconds. Use: wait 10 to get a
one second time delay, and rd to get the models to reverse
direction. A program is written as one or more procedures
and downloaded via an infrared interface to the Cricket. A
procedure always starts with to and finishes with end.
Note how close to human communication it is: "Pat, turn off the
telly for a second."
Another
programming language called
LogoBlocks is also available. This uses icons which can be
dragged into place to build the program.
Sensors (e.g.
light, touch and temperature) and display panels are also
available for Crickets, and the small Cricket size and price are
huge advantages. Much work has been done on models using Crickets
at the
Digital
Hub, Thomas St., Dublin.
(Note:
Coloured markers can be placed through the holes in the wooden
deck on the larger model above so that it can be used for creative
artwork.)
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WHAT WE WANT TO
BUILD
We will need two
moving models, one for the boar and one for the hound. Both can
have the same mechanical construction as they will represent
moving animals, but will wear different costumes. We also want to
choose a suitable setting.
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THE MECHANICS
We can build a
model on a chassis of beams with the RCX on top. The motors A and
C are to be controlled independently to get left and right
movement as well as forward and backward. Motor B is used for jaw
action. The castor at the rear will help support the module. We
can attach a light sensor beside the wheel on one side to guide
the model along a black line so that one can chase the other along
the same path. The model also responds to the hand-held
remote
control which is very useful for testing. When the model on the
right was being shown at the RDS, visitors were asked to place a
one cent coin in the boar's mouth and watch if its mouth closed as
it took it to its owner!
(Note: The model on the right is not designed
or built to a plan, but rather parts were added as the idea
developed. The philosophy behind the Mindstorms theme is that each
model starts with an idea in a
pupil's head, and the designing/redesigning and
building/rebuilding process is much more important
than the product. Children will naturally try to
improve designs by themselves, through trying out new ideas or by
observing models built by other groups.) |

The Wild Boar of Ben Bulben
(Click image to zoom) |
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THE COSTUMES
We use crepe paper, cardboard and coloured
paper to make the bodies for the animals. The costumes drop onto the
models and can be easily removed when the RCX batteries need charging.
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THE SETTING
The chase takes place on
top of Ben Bulben in Sligo, and we used brown sugar paper for this
place. There is a great view of the sea at Sligo Bay from the top of the
mountain, and we can get the same view today as Fionn and Dermot got
many, many years ago. We used blue paper and cotton wool to show the sea
with its breakers, and yellow crepe paper to show the golden beach at
Strandhill. W. B. Yeats captured the magic of Sligo in his writings.
Project video by Ciara and Maria Download video |
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